The international Urban Sketchers Symposium officially
starts today in Amsterdam. I’ve been following their Facebook group (here) the past
few weeks. It’s been interesting (and fairly enlightening) to note the variety
of supplies sketchers pack when traveling.
Some people pack light, like Mark Alan Anderson (our very
own Missouri correspondent).
Others, like Javier Mas Pinturas, bring a bit more. Some of
the supplies are dependent upon the workshops you might be taking. Other items
are just a matter of personal preference.
Many people use the first page of their sketch books to
illustrate their art supplies, like this painting done by Annet Meulman of her
handmade pencil case.
Others, like Elizabeth Alley, paint color swatches of their paint
palettes. She even made samples of each of her colored pens and pencils on the
right-hand page.
But my favorite first-page sketch was the one done by Debora
Missoorten – she’s really getting into the spirit of the location.
One question that’s been popping up is how to carry all
those supplies. Some people merely throw them into a backpack. Others, like Gardenia
Fair, organize them into a zippered case. This is a really nice one, because it
even holds her sketchbook.
Another question I see a lot is what to bring to sit on. Some
bring elaborate camp chairs with backs (probably a smart idea if you’re going
to be sketching for an entire day, but tricky when you’re limited on suitcase
space). Others simply place a plastic sheet on the ground (my preferred method,
as it’s easier to reach my paint palette). But hands-down, the most common option
I’ve seen is the tripod stool. It’s lightweight, foldable, and easily
transportable, even if it isn’t the most comfortable thing to sit on
(especially if you’re a bit wide in the bum). This model by Walkstool that Helen
Wilding is bringing really caught my eye, because the legs are collapsible. It’s
a bit pricier than other tripod stools, but it might be easier to reach a paint
palette resting on the ground.
An optional practice at these international symposiums is to
bring some sort of trade item. Elisabeth H. Berge printed business cards with
the contact information for their newly-founded Oslo chapter.
Leideke Steur van der Werf painted individual trading cards –
what an amazing souvenir.
But my favorites were these handmade sketchbooks done by
Gerlinde Schweiger. The cover was made from an Amsterdam map and the inside
included a length of watercolor paper folded accordion-style. I’ll have to try
this technique myself.
Hey this is Emmett from the fountain pen class. I'm actually at the Symposium now, posting about it on ig and on my blog. I think I'm the only St. Louisan here, but let me know if there's someone else!
ReplyDeleteYou're the only lucky one I know of. Some of us are going to be sketching Bevo Mill this Saturday to join in the fun "virtually."
ReplyDeleteThat sounds like a lovely time, I hope I can download about the Symposium next time! It’s been an incredible time here
ReplyDelete